Category Archives: Arts Education

Don’t Educate the Working Class

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Not all working-class children want to be middle or upper class.

says Garth Stahl, the author of Identity, Neoliberalism and Aspiration… emphasising that education is about changing people and not everyone wants to change. We are defined by where we are in the rat race and that is where we feel most secure. This fear that education might change people, who they are at their very core, is something that eats away at some people’s fears about schooling. ‘Shakespeare is not for our kids,’ might be the cry of some secure in the knowledge that teaching Macbeth to the oiks might see them rise up to Upper Middle Class rectitude and result in them indulging in dark arts at the golf club or even, God forbid, in the Labour Party.

Stahl might have a point, imagine an education that sets out to change Upper Class people into Working Class toilers… What would the timetable consist of? The school lunch menu would be relatively simple: KFC. The lessons could comprise the subjects of gambling, tabloid reading, beer swilling, football (playing as well as the pride and prejudice), Brexit fear of foreigners and all sorts of other such stereotypical nonsense. How would the Upper Class like that?! Do we really think that the working class are a morass of people who indulge in such behaviours that define who they are and if they are subjected to opera, fine dining and JMW Turner their entire world view is shattered and they are left bereft?

This is the problem with the model of education that purely celebrates identity. Firstly we rely on the idea that there is a broad ‘type’ of people defined by their job, or lack of it, their gender, fluid or not, their race, culture and creed. This is useful for Marxist sociologists, snobs , advertisers and algorithm designers – and, indeed, it becomes ever so sophisticated as we are all seen as ABC1s D2s and CD borderlines… but do we really fear teaching and learning things that are of human value beyond our algorithmic echo chambers? If we want education to worship at the altar of our own identities then we will never learn to look beyond.

Rather than change people education refines our understanding of who we are as human beings, it adds to our knowledge not through social engineering; neither meritocratic or anti- aspirational, a good education should expand the self. If education is about the rat race then rats are the only ones who will benefit. If education is a personalised, Narcissistic look at trying to make ourselves feel better about who we are or have chosen to be then it will never be about who we truly are. We don’t have to change who we are, but in order to find out, we might have to take a broader view than the one we think justifies our personal proclivities. An education in ‘high culture’ is for all, not just a supposed elite. Shakespeare is for everyone, whether they like it or not.

Teachers Should Pass Knowledge On

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To avoid misunderstanding: it seems to me that conservatism, in the sense of conservation, is of the essence of the educational activity

Hannah Arendt

According to the sleeve notes of their new album, Blue and Lonesome, Rolling Stones’ guitarist, Keith Richards, wants written on his gravestone:

He passed it on

The gnarled rockers’ latest album returns to their roots, echoing their first LP, it is a homage, a love story, a dedicated exploration of the blues. With each of the twelve bars and harmonica blow the Stones pass it on and if they hadn’t ever bothered what would our musical culture be like now?

It is not for us, it is not for them, it is for the love of the music itself that they pass it on. From Muddy Waters to Chuck Berry the Stones helped introduce these guys to our shores. Nowadays some may complain about cultural appropriation, I prefer to call it cultural education, conserving and adding to our culture. From the swamps of the Mississippi and Can’t be Satisfied to Satisfaction (I Can’t Get No) and the Thames Estuary, the flow of time and the Hoochie Coochie would bring the bluesmen together, it is the music that they are servants to.

As Hannah Arendt said, education must be conservative, in the sense of conservation and this is an important part of the job. Pass it on, from oral, to written, to online; we have a duty to conserve the things that matter and even some of the things that don’t just in case that, one day, they might.

As Hector says in The History Boys:

Pass the parcel. That’s sometimes all you can do. Take it, feel it and pass it on. Not for me, not for you, but for someone, somewhere, one day. Pass it on, boys. That’s the game I want you to learn. Pass it on.

The late great Alexis Korner the ‘father’ of British Blues said of the time just after the war:

In those days, between the ages of 12 and 18 you meant nothing. You were the extra place at the side table if someone came to dinner. You were too big to be petted or fondled or thought pretty and you were too small to work and you were of no interest to anyone, and you had a chance to learn—this is what’s missed today

In many of the arguments about what to teach many talk about what might be good for the child, what might be useful, accessible, engaging, fewer talk about what might be for the good of the subject itself. Maybe if the ‘needs’ of the child were to become less of a concern, instead of worrying about their destinations and putting their every piece of work under scrutiny, we could rebalance things. Teach what is good for the survival of the subject, one day it might make a difference to someone.

Teach Shakespeare’s plays for the intrinsic gift of the plays themselves. And play the Blues, because of the intrinsic gift of the blues. The chance encounter between Richards and Jagger on platform two at Dartford railway station, found the old school chums brought together by a mutual love of the blues, a band formed with the need to pass that love on, to add to it, and, now, on their latest album back to their roots again as they go full circle back to the tradition.

Teachers pass on the stories of their subjects, not because it is intrinsically good for the child, for the job market or for the betterment of humanity, but because they have to. This is the gift the teacher gives, every day. This is why what you pass on has to be qualitatively superior, as it is for the good of the art, and those arts, in turn, survive because they are the saviour of someone, somewhere, sometime, even though the charges in front of you in a lesson don’t get it, one day a child of a child of a pupil in front of you might, and that’s why you keep going.

Muddy Waters had no idea the satisfaction his music would create for two teenagers in Dartford, but thankfully he just passed it on. Changed it and passed it on.

Arts Education has a “Low Impact”

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If you click on the Education Endowment Foundation (EEF) ‘Teaching and Learning Toolkit’ webpage the first thing you come across is:

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click on this and you are informed that:

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What is the point of this? Why should the arts even be expected to work for the glory of other, maybe, more important subjects? For example, I cannot find out how participation in maths benefits arts learning, which is not surprising: Imagine the furore there would be if it was discovered that studying Maths made a child worse at writing poetry and making pots, maths departments would be immediately closed all around the country!  I jest. The whole point of studying maths is to get better at maths, is it too much to ask that people study the arts in order to get better and know more about the arts?

If it is true that some schools are squeezing their arts provision the EEF toolkit is just the sort of thing that gives ammunition to the utilitarian philistines who think the arts get in the way of ‘proper’ learning. What is the point of this sort of research? As the EEF say: transferability of learning “is not automatic and needs further exploration.” So why the Arts should be charged with such a task God only knows.

Please can we value the Arts for their own sake, a rich way to examine the human condition and our concerns rather than as a means to some other ends?